Date of birth: January 2, 1963

RESEARCH LINES

• Music composition (instrumental and electronic music);
• Music Theory Research (COLLOQUIUMS / CONFERENCES);
• Transdisciplinary Research (publications, conferences, colloquiums: music composition/psychoanalysis,  human sciences; philosophy (G. music composition/Deleuze and Guattari's philosophy); human sciences, neuropsychology and nanosciences (TRANSDISCIPLINARY RESEARCH);
• Music Composition Teaching (MASTERCLASSES / SEMINARS);
• Visual arts: drawing, painting, photography, visual installations (VISUAL REALIZATIONS).

• AFFILIATIONS

• MUSIC: SACEM (Neuilly-sur-Seine, FR); Fédération de la composition (Paris, FR); SEM (Paris); Plurielles 34 (Paris).
• PSYCHANALYSE: École Lacanienne de Psychanalyse (Paris, FR); Association Lacanienne Internationale (Paris, FR).
  VISUAL ARTS: ADAGP (Paris, FR).

MUSICAL CREATION

Composition in Progress

2023

(a)utom@ton for electronics and 2 humanoîd robots - c. 20’. Commission: FRENCH MINISTRY OF CULTURE/BORDEAUX UNIVERSITY-SCRIME. Realization of the robotic part: Nao-Team from HUMBOLDT UNIVERSITÄT Berlin and INRIA Bordeaux (FR). World premiere: FACTS Arts and Sciences festival (Bordeaux, FR).

Premiered Compositions

2023

Lostery (Ipso primero and Ipso Lotto) for electronics and a visual installation - 18’.00 Commission: FRENCH MINISTRY OF CULTURE/CÉSARÉ/ART ZOYD/ECLAT festival. Realization of the visual installation: Clara MAÏDA. New version of the visual installation of Lostery 2. World premiere: FARAWAY festival (Reims, FR).

2022

Lostery 3 (Ipso primero) for electronics and a visual installation - 9’.19 Commission: FRENCH MINISTRY OF CULTURE/CÉSARÉ/ART ZOYD. Realization of the visual installation: Clara MAÏDA. World premiere: ERRANT SOUND (Sound Art Gallery, Berlin, DE).

2021 

Fiori fuori for solo Soprano - 6’37. Commission: BERLINER KÜNSTLERPROGRAMM of the DAAD. World premiere: BEETHOVEN JUBILÄUMS, FRAUENMUSEUM (Bonn, DE), as part of visual artist Gisela WEIMANN's installation The Garden of Women Composers. Katia GUEDES (Berlin, DE).

2017 

Lostery 2 (Ipso Lotto and Later gambler) for solo contrabass clarinet and electronics - 21’48. BERLIN SENAT Composition Grant 2015. Ipso Lotto: Finalist at MUSICA NOVA Competition 2017 (Prague, CZ). Commission: ECLAT festival. Realization of the visual installation: Clara MAÏDA. World premiere: ECLAT festival (Stuttgart, DE). Theo NABICHT (Berlin, DE).

2016   

Web studies for violin, viola, harp, prepared piano, live electronics and interactive video - 18’50. Laureate of the HORS LES MURS PROGRAMME 2012 of the Paris FRENCH INSTITUTE. Commission: French MINISTRY OF CULTURE/2E2M ensemble/ART ZOYD. World premiere: AUDITORIUM MARCEL LANDOWSKI (Paris, FR). 2E2M ensemble (Paris), cond. Pierre ROULLIER. Realization of the video: Jenny E. SABIN.

Web-wave for violin, viola, harp, prepared piano and live electronics - 11’01. Laureate of the HORS LES MURS PROGRAMME 2012 of the Paris FRENCH INSTITUTE. Commission: RADIO FRANCE (ALLA BREVE). Radio premiere: 2E2M ensemble (Paris), cond. Pierre ROULLIER. Recording in RADIO FRANCE Studio (Paris, FR).

2013    

…, das spinnt… for amplified string quartet - 9’50. Commission: FRENCH MINISTRY OF CULTURE/ARDITTI QUARTET, with the support of DIAPHONIQUE. World premiere: HUDDERSFIELD CONTEMPORARY MUSIC FESTIVAL (UK). ARDITTI QUARTET (London, UK).

2012   

Later jester for solo contrabass clarinet and electronics - 11’01. Finalist at FRANCO EVANGELISTI Competition 2022 (Rome, IT). Commission-Residency: INA-GRM (Paris). World premiere: MULTIPHONIES festival (GRM, Paris), Maison de la Radio (Paris, FR). Armand ANGSTER, ACCROCHE NOTE ensemble (Strasbourg, FR).

Kinêm(ab)stract for amplified flute, saxophone, prepared piano and percussion - 12’35. Commission: FRENCH MINISTRY OF CULTURE/PROXIMA CENTAURI ensemble. World premiere: LE ROCHER DE PALMER, Opus 12.3 (Bordeaux, FR). PROXIMA CENTAURI ensemble (Bordeaux).

2011  

X/Y for 7 amplified singers, with resonators and additional percussive objects - 12’02. Commission: DONAUESCHINGER MUSIKTAGE. World premiere: DONAUESCHINGER MUSIKTAGE (Donaueschingen, DE). NEUE VOCALSOLISTEN (Stuttgart, DE).

Shel(l)ter - seither... ( ) ...Splitter & hinter... ( ) ...Eiter for 11 amplified instruments - 12’04. 1st Prize at KOMPOSITIONSPREIS DER LANDESHAUPTSTADT STUTTGART 2011 (DE). Commission: FRENCH MINISTRY OF CULTURE/L’ITINÉRAIRE ensemble. World premiere: ULTRASCHALL festival, CLARA MAÏDA - PORTRAIT-CONCERT of the DAAD (Berlin, DE). Co-production: BERLINER KÜNSTLERPROGRAMM of the DAAD/ULTRASCHALL festival, with the support of IMPULS NEUE MUSIK. L'ITINÉRAIRE ensemble (Paris, FR), cond. Jean DEROYER.

2010    

Shel(l)ter - unter... ( ) ...Gitter for clarinet, bassoon, cello, 3 percussions and electronics - 14’45. World premiere: ULTRASCHALL festival, CLARA MAÏDA - PORTRAIT-CONCERT of the DAAD (Berlin, DE). Co-production: BERLINER KÜNSTLERPROGRAMM of the DAAD/ULTRASCHALL festival, with the support of IMPULS NEUE MUSIK. L'ITINÉRAIRE ensemble (Paris, FR), cond. Jean DEROYER.

2009   

Gitter für Gitarre for solo amplified guitar - 13’31. Commission: PARIS INTERNATIONAL GUITAR FESTIVAL. World premiere: PARIS INTERNATIONAL GUITAR FESTIVAL, FR. Caroline DELUME (Paris).

Shel(l)ter - später... ( ) ...Winter for clarinet, bassoon, cello, 3 percussions and electronics - 14’40. Commission: FRENCH MINISTRY OF CULTURE/GMEM. World premiere: LES MUSIQUES festival (GMEM, Marseille, FR). LES PERCUSSIONS DE STRASBOURG and NOUVEL ENSEMBLE MODERNE (Montreal, CA), cond. Lorraine VAILLANCOURT.

2008    

Mutatis mutandis for 12 amplified strings - 12’56. Commission: SACEM/KLANG! festival, with the support of NETZWERK NEUE MUSIK HAMBURG. World premiere: KLANG! festival (Hamburg, DE). RESONANZ ensemble (Hamburg), cond. Stefan GEIGER.

Doppelklänger for solo prepared and amplified piano - 13’37. Commission: BERLINER KÜNSTLERPROGRAMM of the DAAD. World premiere: INVENTIONEN festival (Berlin, DE). Heather O’DONNELL (Berlin).

Kinê-Diffr(a)ct for amplified flute, saxophone, violin, viola, guitar, prepared piano and percussion - 13’19. Commission: French MINISTRY OF CULTURE/PROXIMA CENTAURI ensemble. World premiere: TOUT NOUVEAU THÉÂTRE, Opus 8.2 (Bordeaux, FR). PROXIMA CENTAURI ensemble (Bordeaux).

2007     

Ipso facto for electronics - 9’34. Finalist at MUSICA NOVA Competition 2008 (Prague, CZ). Commission: BERLINER KÜNSTLERPROGRAMM of the DAAD. World premiere: FÜNF + 1 festival (TECHNISCHE UNIVERSITÄT, Berlin), Kleiner Wasserspeicher of Prenzlauer Berg (Berlin, DE).

Bowling bowls for oboe, C trumpet, viola, double bass and 50 children - 10’27. Commission: LYON NATIONAL ORCHESTRA. World premiere: AUDITORIUM OF LYON (FR). Musicians of LYON NATIONAL ORCHESTRA and children of La Fontaine School.

Al Aknawakht for solo percussion - 8’39. World premiere: FRENCH MAY festival (Hong Kong Academy for Performing Arts, HK). Thierry MIROGLIO (Paris).

2006     

Fluctuatio (in)animi for flute, violin, viola, cello, double bass and electronics - 13’42. Honorary Mention at PRIX ARS ELECTRONICA 2007 (Linz, AT). Commission/Residency: Berlin AKADEMIE DER KÜNSTE/STUDIO FÜR ELEKTROAKUSTISCHE MUSIK of the AdK. World premiere: AKADEMIE DER KÜNSTE (Berlin, DE). KNM Berlin (DE).

2005      

Via rupta for flute, clarinet, trombone, violin, viola, cello, double bass and electronics - 8’55. Commission: FRENCH MINISTRY OF CULTURE/GMEM. World premiere: LES MUSIQUES festival (GMEM, Marseille, FR). ENSEMBLE ORCHESTRAL CONTEMPORAIN (Lyon, FR), cond. Fabián PANISELLO (Madrid, ES).

2004       

...who holds the strings... for string quartet - 8’10. World premiere: LÉONARD DE VINCI OPERA, Les 30 ans du Quatuor Arditti (Rouen, FR). ARDITTI QUARTET (London, UK).

2003     

Le livre des trous for solo piano - 11’09. World premiere: ...ANTASTEN... festival (Heilbronn, DE). Martine JOSTE (Paris, FR).

Repeats, defeats for oboe, clarinet, violin and cello - 9’38. Commission: FRENCH MINISTRY OF CULTURE/INIJI ensemble. World premiere: ERROBIKO festival (Biarritz-Itxassou, FR). INIJI ensemble (Paris, FR).

2002   

Holes and bones for flute, clarinet, violin and cello - 9’38. Honorable Mention at EARPLAY DONALD AIRD COMPOSERS COMPETITION 2008 (San Francisco, US) and 2nd PRIZE at SALVATORE MARTIRANO MEMORIAL COMPOSITION AWARD 2003 (University of Illinois, US). Commission: FRENCH MINISTRY OF CULTURE/ACCROCHE NOTE ensemble. World premiere: MUSICA festival (Strasbourg, FR). ACCROCHE NOTE ensemble (Strasbourg).

2001    

Anania Iniji for soprano, piano, percussion and electronics - 26’32. Commission: GMEM/MPPM. SACEM: support for the writing. World premiere: LES MUSIQUES festival (GMEM, Marseille, FR). Agatha MIMMERSHEIM and DUO SYMBLÊMA (Marseille).

Compositions withdrawn from the Catalogue of Works

Iniji (2000); Katajjaq (1999); Quattordici, poi… (1998); Il libro del sogno (1997); Io (1997); Conversion d’un masque (1997); Immobiles mouvances (1996).

Residencies in Electroacoustic Music Studios

2021, 2020, 2018 and 2014     

ART ZOYD STUDIOS - Centre of Musical Creation (Valenciennes, FR).

2021, 2020 and 2015  

CÉSARÉ - National Centre of Musical Creation (Reims, FR).

2019, 2018, 2017, 2012, 2010, 2009 and 2007      

ELECTRONIC STUDIO of the TECHNISCHE UNIVERSITÄT - TU (Berlin, DE).

2012      

GRM (Paris, FR).

2009, 2005, 2000 and 1997   

GMEM - National Centre of Musical Creation (Marseille, FR).

2006    

STUDIO FÜR ELEKTROAKUSTISCHE MUSIK of the AKADEMIE DER KÜNSTE (Berlin, DE).

New Performances of the Compositions (2004-23)

2023

Ipso Lotto [elect]. FARAWAY FESTIVAL, Reims, FR (from 02 to 05/02/23).

2022    

.., das spinnt... [ampl str qu], ARDITTI QUARTET (London, UK). SOUTHBANK CENTRE/SOUNDSTATE FESTIVAL, London, UK (02-04-22).

2021    

Gitter für Gitarre [solo ampl gtr], Mauricio GALEANO (Leipzig, DE). DIE NA-TO, Leipzig, DE (12-09-21).
Gitter für Gitarre [solo ampl gtr], Mauricio GALEANO (Leipzig, DE). KRAFTWERK, Chemnitz, DE (10-09-21).
Later jester [solo cb cl and elect], Theo NABICHT. OSTRAVA DAYS, Ostrava, CZ (19-08-21).
Ipso Lotto [elect]. FESTIVAL LES IN:ENTENDUES, Neuvy-le-Roi, FR (12-08-21).
Gitter für Gitarre [solo ampl gtr], Diego CASTRO (Santiago, CL). MUSICA UC festival, Santiago, CL (22-07-21).

2020    

Later jester [solo cb cl and elect], Theo NABICHT. Inter Arts Center, Malmö, SE (13-09-20).
Later jester [solo cb cl and elect], Theo NABICHT. BKA Theater, Berlin, DE (09-09-20).
..., das spinnt... [ampl str qu], ARDITTI QUARTET (London, UK). PHILHARMONIE DE PARIS/CITÉ DE LA MUSIQUE, FR (14-01-20).

2019    

Later jester [solo cb cl and elect], Theo NABICHT. FORMA festival, Moscow, RU (27-07-19).

2018     

Ipso Lotto [elect]. NEW YORK ELECTROACOUSTIC MUSIC FESTIVAL, US (16-07-18).

2017   

Later jester [solo cb cl and elect], Theo NABICHT (KNM Berlin). Goethe-Institut, Mexico City, MX (04-10-17).
Web studies [vn, va, hp, prep pno, live elect and video], 2E2M ensemble (Paris, FR). ECLAT festival, Stuttgart, DE (04-02-17).

2016     

Later jester [solo cb cl and elect], Theo NABICHT (KNM Berlin). HEROINES OF SOUND festival, Berlin, DE (09-12-16).
Ipso facto [elect]. HEROINES OF SOUND festival, Berlin, DE (09-12-16).
Fluctuatio (in)animi [fl, vn, va, vc, db and elect], KNM Berlin. HEROINES OF SOUND festival, Berlin, DE (09-12-16).
Doppelklänger [solo prep and ampl pno], Frederike MÖLLER (NOTABU ensemble, Düsseldorf). Tonhalle, Düsseldorf, DE (05-11-16).

2015        

Ipso facto [elect]. Csound Conference, Teatro Soli, Montevideo, UY (24-11-15).
Doppelklänger [solo prep and ampl pno], Jan MICHIELS (Ghent). ORPHEUS INSTITUUT/MUSIEKCENTRUM DE BIJOLKE, Ghent, BE (10-11-15).
Gitter für Gitarre [solo ampl gtr], Caroline DELUME (Paris, FR). FESTIVAL INTERNATIONAL DE GUITARRA EX CORDE, Guadalajara, ES (15-07-2015).
Doppelklänger [solo prep and ampl pno], Lluïsa ESPIGOLÉ (CROSSINGLINES ensemble, Barcelona). MIXTUR festival, Barcelona, ES (25-04-15).

2014      

Fluctuatio (in)animi [fl, vn, va, vc, db and elect], ARGONAUT ensemble (Melbourne). BIFEM (Bendigo International Festival of Exploratory Music), Bendigo-Melbourne, AS (06-09-14).
Ipso facto [elect]. BIFEM, Bendigo-Melbourne, AS (06-09-14).
Via rupta [fl, cl, tbn, vn, va, vc, db and elect], ARGONAUT ensemble (Melbourne). BIFEM, Bendigo-Melbourne, AS (06-09-14).

2012     

Gitter für Gitarre [solo ampl gtr], Jay SORCE (New York). SPECTRUM, New York US (22-09-12).
Doppelklänger [solo prep and ampl pno], Stephen GOSLING (New York). SPECTRUM, New York, US (22-09-12).
Kinêm(a)bstract [ampl fl, sax, prep pno and perc], PROXIMA CENTAURI ensemble (Bordeaux, FR). MAISON DE LA RADIO, Geneva, CH (11-05-12).
Kinê-Diffr(a)ct [ampl fl, sax, gtr, prep pno, perc, vln and va], KNM Berlin (Berlin, DE). BKA Theater, Unehörte Musik, Berlin, DE (01-05-12).
Shel(l)ter - seither... ( ) ... Splitter [ampl fl, ob, cl, tpt, hn, perc, vln 1, vln 2, va, vc and db], ÖSTERREICHISCHES ENSEMBLE FÜR NEUE MUSIK (Salzburg, AT). ECLAT festival, Stuttgart, DE (09-02-12).

2011       

X/Y [7 ampl singers + res and add perc obj], NEUE VOCALSOLISTEN (Stuttgart, DE). TRANSIT festival, Leuven, BE (22-10-11).

2010       

Holes and bones [fl, cl, vn and vc], MOSCOW CONTEMPORARY MUSIC ENSEMBLE  (RU). THÉÂTRE DUNOIS, Paris, FR (24-10-10).
Holes and bones [fl, cl, vn and vc], MOSCOW CONTEMPORARY MUSIC ENSEMBLE (RU). GLINKA MUSEUM OF MUSIC, Moscow, RU (04-11-10).
Gitter für Gitarre [solo ampl gtr], Seth JOSEL (WORK IN PROGRESS - BERLIN ensemble, DE). CLARA MAÏDA'S PORTRAIT-CONCERT, ALPHA NOVA Gallery, Berlin, DE (26-05-10).
Al Aknawakht [solo perc], Michael WEILACHER (WORK IN PROGRESS - BERLIN ensemble, DE). CLARA MAÏDA'S PORTRAIT-CONCERT, ALPHA NOVA Gallery, Berlin, DE (26-05-10).
Doppelklänger [solo prep and ampl pno], Heather O’DONNELL (Berlin, DE). CLARA MAÏDA'S PORTRAIT-CONCERT, MUSIKAKADEMIE RHEINSBERG, DE (21-05-10).
Gitter für Gitarre [solo ampl gtr], Seth JOSEL (WORK IN PROGRESS - BERLIN ensemble DE). CLARA MAÏDA'S PORTRAIT-CONCERT, MUSIKAKADEMIE RHEINSBERG, DE (21-05-10).
Al Aknawakht [solo perc], Michael WEILACHER (WORK IN PROGRESS - BERLIN ensemble, DE). CLARA MAÏDA'S PORTRAIT-CONCERT, MUSIKAKADEMIE RHEINSBERG, DE (21-05-10).
Kinê-Diffr(a)ct [ampl fl, sax, vn, va, prep pno and perc], WORK IN PROGRESS - BERLIN ensemble (DE). CLARA MAÏDA'S PORTRAIT-CONCERT, MUSIKAKADEMIE RHEINSBERG, DE (21-05-10).
Shel(l)ter - seither... ( ) ... Splitter [ampl fl, ob, cl, tpt, hn, perc, vln 1, vln 2, va, vc and db], L’ITINÉRAIRE ensemble (Paris, FR). CLARA MAÏDA'S PORTRAIT-CONCERT, AUDITORIUM SAINT-GERMAIN, Paris (16-02-10).
Repeats, defeats [ob, cl, vn and vc], L’ITINÉRAIRE ensemble (Paris, FR). CLARA MAÏDA'S PORTRAIT-CONCERT, AUDITORIUM SAINT-GERMAIN, Paris (16-02-10).
Doppelklänger [solo prep and ampl pno], David CHEVALIER (L’ITINÉRAIRE ensemble, Paris, FR). CLARA MAÏDA'S PORTRAIT-CONCERT, AUDITORIUM SAINT-GERMAIN, Paris (16-02-10).
Shel(l)ter - später... ( ) ... Winter [cl, bsn, vc, 3 perc and elect], L’ITINÉRAIRE ensemble (Paris, FR). CLARA MAÏDA - PORTRAIT-CONCERT of the DAAD. ULTRASCHALL festival, Berlin, DE (30-01-10).

2009      

Al Aknawakht [solo perc], Thierry MIROGLIO (Paris, FR). AUDITORIUM SAINT-GERMAIN, Paris (18-12-09).
Ipso facto [elect]. INSTITUUT VOOR SONOLOGIE, The Hague, NL (28-10-09).
Ipso facto [elect]. ELECTRONIC STUDIO of the TECHNISCHE UNIVERSITÄT, Berlin, DE (15-10-09).
Ipso facto [elect]. ELECTROVISIONES festival, Mexico City, MX (26-06-09).
...who holds the strings... [str qt], ARDITTI QUARTET (London, UK). WEIMARER FRÜHJAHRSTAGE, Weimar, DE (16-04-09).
Al Aknawakht [solo perc], Thierry MIROGLIO (Paris, FR). ARS MUSICA festival, Brussels, BE (05-04-09).

2008      

Ipso facto [elect]. EMUFEST festival, Rome, IT (24-11-08).
Ipso facto [elect]. MÚSICA VIVA festival, Lisbon, PT (23-09-08).
Holes and bones [fl, cl, vn and vc], ALTERNANCE ensemble (Paris, FR). INSTITUT FRANÇAIS, Bremen, DE (28-02-08).

2007    

Le livre des trous [solo pno], Jean-Marie COTTET (ALTERNANCE ensemble, Paris, FR). INSTITUTO CERVANTES, Paris (18-12-07).
Holes and bones [fl, cl, vn and vc], ALTERNANCE ensemble (Paris, FR). INSTITUTO CERVANTES, Paris (18-12-07).
...who holds the strings... [str qt], PELLEGRINI QUARTETT (Freiburg, DE). AKADEMIE DER KÜNSTE, BEYOND THE WALL festival, Berlin, DE (22-11-07).
Holes and bones [fl, cl, vn and vc], ALTERNANCE ensemble (Paris, FR). MUSIKHØST festival, Odense, DK (31-10-07).
Al Aknawakht [solo perc], Thierry MIROGLIO (Paris, FR). ELEAZAR DE CARVALHO festival, University of Fortaleza, BR (11-07-07).
Al Aknawakht [solo perc], Thierry MIROGLIO (Paris, FR). CROISEMENTS festival, Shanghai, CN (01-06-07).

2006  

...who holds the strings... [str qt], ARDITTI ARDITTI (London, UK). MUSICA festival, Strasbourg, FR (06-10-06).
Repeats, defeats [ob, cl, vn and vc], KNM Berlin. AKADEMIE DER KÜNSTE, Berlin, DE (17-05-06).

2004     

...who holds the strings... [str qt], ARDITTI QUARTET (London, UK). NOVART festival, Bordeaux, FR (20-10-04).
Holes and bones [fl, cl, vn and vc], 2E2M ensemble (Paris). THÉÂTRE L'EUROPÉEN, Paris, FR (24-05-04).
Holes and bones [fl, cl, vn and vc], UI NEW MUSIC ensemble (US). SOUND ONE festival, University of Illinois, US (29-04-04).

Compositions: Published Scores

2018  …, das spinnt… [ampl str qt], BABELSCORES, Paris, FR (2013).

2018 Kinêm(ab)stract (ampl fl, sax, prep pno and perc], BABELSCORES, Paris, FR (2012).

Compositions: Published CDs and DVDs

2019 [DVD]. Repeats, defeats [in Butohouse, a movie by Ila BÊKA and Louise LEMOÎNE]. Production: BÊKA & PARTNERS (Venise, IT).

2018 [4-CD digipack]. Web-wave [in Expériences de vol 10, 11,12, 13], 4-CD digipack. 2E2M ensemble (cond. P. ROULLIER). Recording: RADIO FRANCE (Paris, FR). Production: ART ZOYD (Valenciennes, FR).

2014 [DVD]. Holes and bones [in Barbicania, a movieby Ila BÊKA and Louise LEMOÎNE]. Production: BÊKA & PARTNERS (Venise, IT).

2010 [monographic CD]. in corpore vili [Mutatis mutandis, Psyché-Cité/Transversales, …who holds the strings…, Doppelklänger]. RESONANZ ensemble (cond. S. GEIGER), KNM Berlin, EOC (cond. F. PANISELLO), ARDITTI QUARTET, Heather O’DONNELL. Recording: DEUTSCHLANDRADIO KULTUR, AKADEMIE DER KÜNSTE, TECHNISCHE UNIVERSITÄT (Berlin, DE), GMEM (Marseille, FR). Production: BERLINER KÜNSTLERPROGRAMM of the DAAD (DE). Mastering: T. KLOUCHE - NEPENTHES MASTERING (Berlin, DE). International distribution: EDITION RZ (Berlin, DE). French distribution: METAMKINE label (Lormont, FR).

2001 [monographic CD]. Anania Iniji. Agatha MIMMERSHEIM and DUO SYMBLÊMA (Marseille). Recording and production: GMEM (Marseille, FR). French distribution: METAMKINE label (Lormont, FR).

Compositions: Radio Broadcasts

2021  

FRANCE MUSIQUE (La Matinale, Gabrièle OLIVEIRA-GUYON : Shel(l)ter - später... ( ) ...Winter, NOUVEL ENSEMBLE MODERNE and LES PERCUSSIONS DE STRASBOURG, cond. L. VAILLANCOURT), Paris, FR (26-08-2021).

2018   

FRANCE MUSIQUE (Le Portrait Contemporain, Arnaud MERLIN: La compositrice Clara Maïda - Pour une nanomusique), Paris, FR (09-11-2018).

2017   

FRANCE MUSIQUE (Le Concert du Soir, AUDITORIUM SAINT-GERMAIN, Paris. World premiere of Web studies, 2E2M ensemble, cond. P. ROULLIER), Paris, FR (April 2017).
SWR 2 (JetztMusik, ECLAT festival. World premiere of Ipso Lotto and Later gambler, T. NABICHT), Stuttgart, DE (08-03-2017).

2016   

RADIO 3 (Resonancias: Fluctuatio (in)animi, KNM Berlin), ES (14-12-2016).
FRANCE MUSIQUE (Alla breve, Anne MONTARON: Clara Maïda's Portrait and radio premiere of Web-wave. 2E2M ensemble, cond. P. ROULLIER), Paris, FR (08-10-2016).

2015   

CKCU FM (…who holds the strings… [monographic CD in corpore vili], ARDITTI QUARTET), Ontario, CA (21-10-2015).
RADIO HORIZON (monographic CD in corpore vili, RESONANZ ensemble, cond. S. GEIGER; KNM Berlin; ARDITTI QUARTET; H. O’DONNELL), ZA (22-01-2015).
RADIO HORIZON (…who holds the strings… [monographic CD in corpore vili], ARDITTI QUARTET), ZA (18-01-2015).
RADIO HORIZON (Mutatis mutandis [monographic CD in corpore vili], RESONANZ ensemble, cond. S. GEIGER), ZA (17-01-2015).
RADIO HORIZON (Doppelklänger [monographic CD in corpore vili], H. O’DONNELL), ZA (09- and 03-01-2015).

2014  

ABC Radio (BIFEM festival: Psyché-Cité/Transversales, ARGONAUT ensemble, cond. E. GYGER), Melbourne, AS (06-09-2014).
PBS (The Sound Barrier: Psyché-Cité/Transversales [monographic CD in corpore vili], KNM Berlin; EOC, cond. F. PANISELLO), Melbourne, AS (13-11-2014).
RADIO HORIZON (Shel(l)ter, LES PERCUSSIONS DE STRASBOURG and NEM, cond. L. VAILLANCOURT; L’ITINÉRAIRE ensemble, cond. J. DEROYER), ZA (20-04-2014).
RADIO HORIZON (Kinê-Diffr(a)ct, PROXIMA CENTAURI ensemble), ZA (13-04-2014).
RADIO HORIZON (Kinêm(a)bstract, PROXIMA CENTAURI ensemble), ZA (07-04-2014).
RADIO HORIZON (Mutatis mutandis, RESONANZ ensemble, cond. S. GEIGER; Ipso facto; Via rupta, EOC, cond. F. PANISELLO [monographic CD in corpore vili]), ZA (24-03-2014).
RADIO HORIZON (Doppelklänger [monographic CD in corpore vili], H. O’DONNELL), ZA (13-03-2014).

2013    

DEUTSCHLANDFUNK (Mutatis mutandis [monographic CD in corpore vili], RESONANZ ensemble, cond. S. GEIGER), Berlin, DE (05-10-2013).

2012  

FRANCE MUSIQUE (Multiphonies-GRM: Later jester, A. ANGSTER, ACCROCHE NOTE ensemble), Paris, FR (05-10-2013).
RADIO TÉLÉVISION SUISSE - RTS (Kinêm(a)bstract, PROXIMA CENTAURI ensemble. Recording: Radio Suisse Romande), Geneva, CH (10-06-2013).

2011  

NON RADIO (Non 32: Shel(l)ter - später… ( ) …Winter. Les Musiques festival. LES PERCUSSIONS DE STRASBOURG and NOUVEL ENSEMBLE MODERNE (cond. L. VAILLANCOURT), MX (01-12-2011).
SÜDWESTRUNDFUNK - SWR (JetzMusik, Donaueschinger Musiktage. World premiere of X/Y. NEUE VOCALSOLISTEN), DE (02-11-2011).
NON RADIO (Non 12: Via rupta [monographic CD in corpore vili]. ENSEMBLE ORCHESTRAL CONTEMPORAIN (cond. F. PANISELLO), MX (19-05-11).

2010  

DEUTSCHLANDFUNK (Atelier neue Musik, Isabel HERZFELD: Fraktale Fantasien - Die sizilianisch-tunesisch-französische Komponistin Clara Maïda), Berlin, DE (06-11-2010).
FRANCE MUSIQUE (Electromania, Christian Zanési, David Jisse and Christophe Bourseiller: Ipso facto [monographic CD in corpore vili]), Paris, FR (25-10-2010).
BBC (Synopsis : Ipso facto [monographic CD in corpore vili]), London, UK (29-06-2010).
BAYERISCHER RUNDFUNK - BR4 (Mutatis mutandis [monographic CD in corpore vili], RESONANZ ensemble, cond. S. GEIGER), Munich, DE (10-06-2010).
NORDWESTRADIO - RADIO BREMEN (Musica Nova: Holes and bones, ALTERNANCE ensemble), Bremen, DE (19-04-2010).
DEUTSCHLANDRADIO KULTUR (Ultraschall festival, Clara Maïda - Portrait-Concert of the DAAD: Shel(l)ter, L’ITINÉRAIRE ensemble, cond. J. DEROYER), Berlin, DE (18-02-2010).

2009   

CKCU FM (Ipso facto [monographic CD in corpore vili]), Ontario, CA (31-12-2009).
RADIO GRENOUILLE (Playlist - Clara Maïda's Portrait ), Marseille, FR (20-08-2008).

2008   

SCHWEIZER RADIO UND FERNSEHEN - SRF KULTUR - DRS 2 (Musik unserer Zeit, Bettina BRAND: Clara Maïda im Porträt), Basel, CH (17-05-2009).

2007   

DEUTSCHLANDRADIO KULTUR (Berlin für ein Jahr, Die Gastkomponisten des DAAD 2007: Liza Lim, Chengbi An, Clara Maïda und Douglas Henderson, Christine ANDERSON), Berlin, DE (09-10-2007).

MUSICAL RESEARCH

Interdisciplinary Collaborations

2021-23

Group of collective reflection with various psychoanalysts. ÉCOLE LACANIENNE DE PSYCHANALYSE (Paris, FR).

2020-22  

Collège d'Enseignement and seminars of psychoanalysis. ASSOCIATION LACANIENNE INTERNATIONALE (Paris, FR).

2019  

Repeats, defeats (2003). A sound sample is included in the soundtrack of Butohouse, a movie by architecture movie makers Ila BÊKA and Louise LEMOÎNE (Venice, IT). Exhibition world premiere of the movie: FRAC Centre - Orléans Biennale of Architecture (FR, 2019).

Group of collective reflection with various psychoanalysts. ÉCOLE LACANIENNE DE PSYCHANALYSE (Paris, FR).

2016 

Web studies. Collaboration with designer in experimental architecture Jenny E. SABIN (CORNELL UNIVERSITY, Ithaca, US).

2015 

Group of collective reflection with various psychoanalysts. ÉCOLE LACANIENNE DE PSYCHANALYSE (Paris, FR).

2014  

Holes and bones (2002). A sound sample is included in the soundtrack of Barbicania, a movie by architecture movie makers Ila BÊKA and Louise LEMOÎNE (Venice, IT). World premiere screening of the movie: The Barbican (London, UK, 2014).

2010 

Research project Music/Genetics. Collaboration with CNRS researcher in bioinformatics Christian MICHEL (Laboratoire des Sciences de l’Image, de l’Informatique et de la Télédétection - Bioinformatique Théorique, Fouille de Données et Optimisation Stochastique, LSIIT-STRASBOURG UNIVERSITY, FR).

Articles and Books' Chapters

MAÏDA, C. (2021). "Abstract Cartographies and Assemblages of Sound Minimal Units: A 'Body-Organon'?". Machinic Assemblages of Desire - Deleuze and Artistic Research 3, Paulo de ASSIS and Paolo GIUDICI (ed), Leuven University Press, Leuven, BE (February 2021).

MAÏDA, C. (2019). "Towards a Sound 'Nanorevolution' and 'Artivism'". Feminismus und Gender in Elektronischer Musik, Sabine SANIO and Bettina WACKERNAGEL (ed), Hofheim: Wolke Verlag, Berlin, DE (June 2019).

MAÏDA, C. (2015). "Chocs et entrechocs, analyse et catalyse". Superflux, N.8-9 (review of psychoanalysis), L’Unebévue/École Lacanienne de Psychanalyse, Paris, FR (November 2015). Drawing Mutatis mutandis on the front cover of the review.

MAÏDA, C. (2013). "Pour une nanomusique", Présent Continu (the web magazine of Futurs Composés), Paris, FR (08-04-2013). (Published online).

MAÏDA, C. (2011). "Für eine Nanomusik". Neue Zeitschrift für Musik, Das Magazin für neue Tone, Klangzeitort, Universität der Künste/Hochschule für Musik Hanns Eisler, Berlin, DE (03-04-2011).

MAÏDA C. (2010). "Worstsaid Ho, worstheard Ho". Positionen, 85, Texte zur Aktuellen Musik, "Schreibkrise?", Positionen Verlag, Berlin, DE (October 2010).

MAÏDA, C. (2007). "...ça écrit ça écrit ça écrit ça...". Filigranes, N.6 (Music, Aesthetics, Sciences, Society), "Musique et inconscient", Éditions Delatour, Paris, FR (2nd semester 2007).

MAÏDA, C. (2000). 'Instants-passages', Cahiers bleus, N.13, Éditions Les Cahiers Bleus, Troyes, FR (2000).

Conference Papers

MAÏDA, C. (2019). "For a 'Nanospectral' Approach to Music Compostion". International conference "Spectralisms", IRCAM, Paris, FR (June 12-14, 2019).

MAÏDA, C. (2016). "Sound Rhizomes - Virtuality and Actualizations: Music and its Multiplicity of Sound Becomings". International conference about Gilles Deleuze: "Virtuality, Becoming and Life", Roma Tre University, Dipartimento Filosofia, Comunicazione Spettacolo, Rome, IT (May 27-30, 2016).

MAÏDA, C. (2016). "From a Formless Ground to a Restless Sound - Virtual/Actual/Musical: Degrees of Power and Diagrams of Matter". International conference: "Deleuze + Art - Multiplicities | Thresholds | Potentialities", Trinity College Dublin, IE (April 8-10, 2016).

MAÏDA, C. (2015). 'For a Nanomusic - Sound Desiring Machines and Multiple Time'. DARE 2015 International conference: "The Dark Precursor. Deleuze and Artistic Research", Orpheus Instituut, Ghent, BE (November 9-11, 2015).

MAÏDA, C. (2015). "Chocs et entrechocs, Analyse et catalyse". Colloquium Music/Psychoanalysis: "Correspondances musiciennes et création musicale", Superflux (review of psychoanalysis) and Entretemps (music journal), IRCAM, Paris, FR (January 17, 2015).

MAÏDA C. (2013). "De la pulsion aux 'pulsons'. Le sonore aux frontières du dedans et du dehors". International symposium: "Musiques et écologies du son", Paris 8-Saint-Denis University, Department of Arts, Philosophy, Aesthetics, Paris, FR (July 11-13, 2013).

MAÏDA, C. (1999). "Instants-passages". International colloquium of literature: "Henri Michaux est-il seul?", Cerisy International Cultural Centre, Normandy, FR (June 30-July 7, 1999).

Conferences

2012   

SPECTRUM, New York City, US (22-09-2012).

2009   

MARIO MAZZOLI SOUND ART GALLERY, Berlin, DE (03-07-2009).

2006

AKADEMIE DER KÜNSTE, Berlin, DE (17-05-2006).

AKADEMIE DER KÜNSTE, Berlin, DE (20-01-2006).

Interviews and Composer Portraits

2020 

BABELSCORES, Paris, FR. Streams of psychic ernergy, onterview with BabelScores (recording in November 2018. Online in September 2020). BabelScores' series of interviews with composers, Explorers of sound. Video: Mathilde SUPE.

2014  

MIXTUR FESTIVAL, Barcelona, ES. Interview with Mixtur festival (December 2014).

ART ZOYD, Valenciennes, FR. Interview with Art Zoyd (July 2014). (published online).

MUSICA KALEIDOSKOPEA, US. Composer profile: Clara Maïda. Interview with David LEONE (15-07-2014). (published online).

L'AUTRE MUSIQUE LABORATOIRE, Paris, FR. Interview with Frédéric MATHEVET about the musical work Fluctuatio (in)animi and the drawing Kinêm(a) (renamed Lostery). L’autre musique Laboratoire - New Writings on Sound and Music # Clara Maïda (21-06-2014). (published online).

2010   

ALPHA NOVA & FUTURA GALLERY, Berlin, DE. Interview with composer Gerhardt MÜLLER-GOLDBOOM, the artistic director of Work in Progress - Berlin ensemble (26-05-2010).

2008  

KLANG! FESTIVAL, Hamburg, DE. Interview with radio music journalist Margarete ZANDER (28-09-2008).

BERLINER KÜNSTLERPROGRAMM of the DAAD. CLARA MAÏDA'S COMPOSER PORTRAIT, Berlin, DE. Interview with Christine FISCHER, the artistic director of ECLAT festival and manager of Neue Vocalsolisten Stuttgart (30-07-2008).

2006

AKADEMIE DER KÜNSTE, Berlin, DE. Interview with composer and musicologist Gordon KAMPE during the residency 2006 at the Berlin AKADEMIE DER KÜNSTE for the composition of Fluctuatio (in)animi (commissioned by the AKADEMIE DER KÜNSTE). General presentation of the research lines (20-01-2006).

Participation in Colloquiums and Symposiums

2022  

SOUTHBANK CENTRE - WOMEN IN MUSIC BREAKFAST, London, UK. Invited to participate in the networking events talk.

2016   

HEROINES OF SOUND FESTIVAL, Berlin, DE. Symposium: "Die Komponistinnen der Groupe de Recherches Musicales (GRM)".

2014

BENDIGO INTERNATIONAL FESTIVAL OF EXPLORATORY MUSIC, AS. WIRED International  colloquium: "The Role of Technology in Production of Composition".

INSTITUTIONAL AND ACADEMIC ACTIVITIES

Jurys

2023

Jury Member: selection of the electroacoustic works for MUSICA NOVA Electroacoustic Contest, Prague, CZ (November 2023).

Jury Member:  FRENCH MINISTRY OF CULTURE / DRAC ÎLE-DE-FRANCE-Directorate for Regional Cultural Affairs (selection of the new original musical works commissioned by the FRENCH MINISTRY of CULTURE), Paris, FR (April 2022). (May 26 and 31, 2023).

2022

Jury Member:  FRENCH MINISTRY OF CULTURE / DRAC ÎLE-DE-FRANCE-Directorate for Regional Cultural Affairs (selection of the new original musical works commissioned by the FRENCH MINISTRY of CULTURE), Paris, FR (April 2022).

2021

Jury Member:  FRENCH MINISTRY OF CULTURE / DRAC NOUVELLE-AQUITAINE-Directorate for Regional Cultural Affairs (selection of the new original musical works commissioned by the FRENCH MINISTRY of CULTURE), Bordeaux, FR (June 2021).

External Examiner: CNSMD of Lyon-Lyon Superior Conservatory of Music and Dance (admission and validation exam of the writing/composition class and Master 2), Lyon, FR (June 2-5, 2021).

2020

External Examiner: CNSMDP-Paris Superior Conservatory of Music and Dance (admission in the composition class), Paris, FR (February 10-12, 2020).

2018

External Examiner: BOULOGNE-BILLANCOURT CONSERVATORY OF MUSIC (composition and orchestration classes), Paris, FR (25-06-2018).

2017

External Reviewer: INTERNATIONAL SYMPOSIUM ON CONTROL SYSTEMS (ISCS 2017), 4th International CSound Conference, Montevideo, UY (11-08-2017).

2014

External Reviewer: CIM 2014. 9th CONFERENCE ON INTERDISCIPLINARY MUSICOLOGY, Berlin, DE (16-09-2014).

Jury Member: FRENCH MINISTRY OF CULTURE (selection of the new commissioned original musical works), Paris, FR (May 2014).

2011

Jury Member: FRENCH MINISTRY OF CULTURE (selection of the new commissioned original musical works), Paris, FR (30-06- and 01-07-2011).

2009

Jury Member: FRENCH MINISTRY OF CULTURE (selection of the new commissioned original musical works), Paris, FR (May 2009).

2004

External examiner: BORDEAUX CONSERVATORY OF MUSIC (contemporary interprétation class), Bordeaux, FR (25-06-2008).

2001

Jury Member: FRENCH MINISTRY OF CULTURE (selection of the new commissioned original musical works), Paris, FR (May 2001).

Courses, masterclasses and conferences

2018

Visiting Lecturer: CNSMDP-Paris Superior Conservatory of Music and Dance (Frédéric DURIEUX's composition class), Paris, FR (09-11-2018).

2015

Guest Professor of Composition (masterclasses and individual courses): ESCOLA SUPERIOR DE MÚSICA DE CATALUNYA, Barcelona, ES (January-June 2015).

Guest Professor of Composition and Sound Experimentation (masterclasses and individual courses): MIXTUR festival, Barcelona, ES (April 23-25, 2015).

2014

Visiting Lecturer: UNIVERSITY OF HUDDERSFIELD, Music and Music Technology, Centre for Research in New Music (Liza LIM's composition class), Huddersfield, UK (20-11-2014).

Visiting Lecturer: MONASH UNIVERSITY, Sir Zelman Cowen School of Music (Charles MACINNES' composition class ), Melbourne, AS (04-09-2014).

2012

Visiting Lecturer: PARIS 8-SAINT-DENIS UNIVERSITY, Department of Arts, Philosophy, Aesthetics (Makis SOLOMOS' seminar for the Master 2 and Doctoral students in Musicology, Creation, Music and Society), Paris, FR (05-11-2012).

2011

Visiting Lecturer: BOULOGNE-BILLANCOURT CONSERVATORY OF MUSIC (Jean-Luc HERVÉ's composition class), Paris, FR (17-01-2011).

2010

Visiting Lecturer: TECHNISCHE UNIVERSITÄT, Electronic Studio, Berlin, DE (02-12-2010).

Visiting Lecturer: UNIVERSITÄT DER KÜNSTE, Fakultät Musik (Elena MENDOZA-LÓPEZ's composition class), Berlin, DE (17-05-2010).

2008

Visiting Lecturer: RENNES 2 UNIVERSITY, Department of Music (Joseph DELAPLACE's seminar of Music), Rennes, FR (21-02-2008).

Visiting Lecturer: CEFEDEM D'AQUITAINE, Bordeaux, FR (10-04-2008).

2003

Visiting Lecturer: ÉCOLE SUPÉRIEURE D'ARTS DE RUEIL-MALMAISON, Paris, FR (12-12-2005).

BOOKS WITH INTERVIEWS, PORTRAITS, AND MENTIONING COMPOSITIONS

AMBLARD J.  (2021). Installation art, as experience of self, in space and time, Vial Kayser, C. and COËLLIER, S. (ed.), Vernon Press, US (May 2021). Presentation of the sound and visual installation Lostery 2 and photograph of the premiere of the visual installation at ECLAT festival in Stuttgart-DE, 2017 (chapter "Musical installations: problematic works", pages 203-204).

AMBLARD J.  (2020).  IRIS review N.40/2020, under the supervision of Vigneron, F., Vial Kayser, C. and COËLLIER, S. (ed.), FR. Presentation of the sound and visual installation Lostery 2 and photograph of the premiere of the visual installation at ECLAT festival in Stuttgart-DE, 2017 (article  "L’installation artistique: une expérience de soi dans l’espace et le temps", IRIS [online], 40 | 2020, put online on December 15, 2020).

SOLOMOS, M. (2020). From Music to Sound. The Emergence of Sound in 20th- and 21st-Century Music, Routledge, coll. "Routledge Research in Music", UK (…who holds the strings…, chapter V, "On timbre. Composing the sound", page 1710).
British publication of the book De la musique au son. L'émergence du son dans la musique des XXe-XXIe siècles, Presses Universitaires de Rennes, FR (French publication in 2013).

CENTRE DE DOCUMENTATION DE LA MUSIQUE CONTEMPORAINE. Marcel-Berlioz, L., Corlaix, O. et Gallet, B. (ed) (2019). Compositrices. L’égalité en acte, Éditions MF, Coll. "Paroles", Paris, FR. Article "Clara Maïda" by musicologist Jacques AMBLARD (Aix-Marseille University) and drawing Mutatis mutandis (pages 317-321).

LANDESHAUPTSTADT STUTTGART (2015). Stuttgart City, Kompositionspreis 2015. Jubiläum 1995-2015, Kulturamt Stuttgart, DE. Interview with Christine FISCHER, artistic director of ECLAT festival and manager of NEUE VOCALSOLISTEN (pages 74-77).

JOSEL, S. and MING, T. (2014). The Techniques of Guitar Playing, Bärenreiter Verlag, DE (Gitter für Gitarre, page 121).

CARRETERO AGUADO, A. (2014). Composición musical Bio-inspirada, Punto Rojo Libros, ES (Psyché-Cité/Transversales, chapter XI, pages 99-107).

BERLINER KÜNSTLERPROGRAMM of the DAAD (2013). Berliner Künstlerprogramm of the DAAD, Blickwechsel Zwei. 50 Jahre Berliner Künstlerprogramm des DAAD. Die Jahre 1988-2013. 50 years of the DAAD Artists-in-Berlin program. The years 1988-2013, DAAD Publishing, DE. Article "Clara Maïda"  by music journalist Christine ANDERSON (pages 253-254).

SOLOMOS, M. (2013). De la musique au son. L’émergence du son dans la musique des XXe-XXIe siècles, Presses Universitaires de Rennes, FR (…who holds the strings…, chapter V, page 346).

FOURNIER, B,. in collaboration with KASSAP-RIEFENSTAHL, R (2004). Histoire du quatuor à cordes: Tome 3. De l’entre-deux guerres au XXIe siècle, Éditions Fayard, Paris, FR (…who holds the strings…, page 1077).

PRESS REVIEWS

2022

FINANCIAL TIMES, London, UK (April 2022). (..., das spinnt...).

2021

BACHTRACK, Paris, FR (February 2021). (..., das spinnt...).

2020

RES MUSICA, Paris, FR (20-01-2020). Michèle TOSI (..., das spinnt...).
BACHTRACK, Paris, FR (16-01-2020). Clara LEONARDI (..., das spinnt...).

2019

LA PHILHARMONIE DE PARIS, FR (02-12-2019). Jérémie SZPIRGLAS (..., das spinnt...).

2018 

THE SOUND BARRIER, Melbourne, AS (14-07- 2018). Ian PARSONS (Psyché-Cité/Transversales).

2017 

RES MUSICA, Paris, FR (28-01-2017). Michèle Tosi (Web studies).

2016 

BOOMKAT, UK (18-05-2016). (CD in corpore vili). 

2014 

THE CONVERSATION, UK (17-09-2014). Alistair Nobel (Psyché-Cité/Transversales). 
PARTIAL DURATIONS, AS (15-09-2014). Matthew Lorenzon (Psyché-Cité/Transversales). 
LA VOIX DU NORD, Valenciennes, FR (17-02-2014). (Web studies). 
REUTLINGER GENERAL-ANZEIGER, Stuttgart, DE (11-02-2012). Armin Knauer (Shel(l)ter - seither… ( ) Splitter & hinter… ( ) …Eiter).

2013 

THE TELEGRAPH, London, UK (16-11-2013). Ian Hewett (…, das spinnt…). 
CD CLASSICO, Milan, IT (October 2013). Andrea Bedetti (CD in corpore vili).

2012 

MUSIK UND GENDER IM INTERNET - MUGI, DE (07-08-2012); Felix Emter ("Clara Maїda").
NEUE MUSIK ZEITUNG, DE (10-02-2012). (1st Prize at Kompositionspreis der Landeshauptstadt Stuttgart 2011).
SÜD KURIER, Stuttgart, DE (23-01-2012). (Shel(l)ter - seither… ( ) ...Splitter & hinter… ( ) …Eiter).  

2011 

SWR DONAUESCHINGER MUSIKTAGE 2011, DE (16-10-2011): Bastian Zimmermann ("X/Y von Clara Maїda").
KULTURMAGAZIN, Stuttgart, DE (03-05-2011). (1st Prize at Kompositionspreis der Landeshauptstadt Stuttgart 2011).

2010 

THE HIGH PONY TAIL, UK (15-06-2010). (CD in corpore vili). 
AUFABWEGEN, Berlin, DE (17-05-2010). Till Kniola (CD in corpore vili). 
THE WIRE MAGAZINE, London, UK (May 2010). Richard Pinnell (CD in corpore vili). 
DAAD MAGAZIN, DE (February 2010). Horst Willi Schors (Shel(l)ter). 
BERLINER ZEITUNG, Berlin, DE (February 2010). Peter Uehling (Shel(l)ter). 
TAGESSPIEGEL, Berlin, DE (02-02-2010). Christiane Tewinckel (Shel(l)ter). 
IMPULS NEUE MUSIK, Berlin, DE (January 2010). (Shel(l)ter). 
NEUE MUSIK ZEITUNG, DE (January 2010). Isabel Herzfeld (Shel(l)ter). 
MAGAZINE PARIS - BERLIN, DE (03-01-2010). Stéphanie Pichon ("Clara Maïda ou la reconnaissance allemande").

2008 

ZDF, DE (17-10-2008). (Berlin-Rheinsberger Kompositionspreis). 
KLASSIK, DE (October 2008). (Berlin-Rheinsberger Kompositionspreis). 

2004 

LE MONDE, Paris, FR (26-052004). Pierre Gervasoni (Holes and bones). 

2000 

MUSIQUE MARSEILLE, FR (May 2000). Alain Ginesi (Iniji). 
LA MARSEILLAISE, Marseille, FR (27-05-2000). Francis Cossu (Iniji).

1999 

TAKTIK, Marseille, FR (November 1999). (Iniji). 

1997 

L’ÉVEIL, Marseille, FR (April 1997). B.P. (Io). 
AL DANTE, Marseille, FR (April 1997). Thierry Aué (Io).

1997 

LE MÉRIDIONAL, Marseille, FR (14-041997). (Io). 

QUALIFICATIONS

PhD by publication in COMPOSITION: For a "Nanomusic" - Sound Nanomachines and Elastic Space-Time
University of Huddersfield (Music and Music Technology, Centre for Research in New Music), UK
Supervisor: Professor Liza LIM

MASTER'S DEGREE in MUSICOLOGY, CREATION, MUSIC and SOCIETY (Category Theory and Research): De la pulsion aux "pulsons" - Les diagrammes sonores de l’inconscient. Pour une approche transversale de l’écriture musicale du temps et de la forme (From Pulsion to "Pulsounds" - The Sound Diagrams of the Unconscious. For a Transversal Approach to the Musical Writing of Time and Space)
Paris 8-Saint-Denis University (Department of Arts, Philosophy, Aesthetics), FR
Supervisor: Professor Makis SOLOMOS

1st PRIZE in COMPOSITION (unanimously awarded)
Marseille Conservatory of Music, FR
Professor of composition: Georges BOEUF

FRENCH NATIONAL DIPLOMA in Classical Piano Teaching (major of promotion)
CEFEDEM-SUD (Training Centre for Music Teaching), Aubagne, FR

BACHELOR'S DEGREE in PSYCHOLOGY (and Credits of a MASTER'S DEGREE)
Aix-Marseille University (Faculty of Arts, Literature, Languages and Human Sciences), FR

• COMPOSITION PRIZES AND AWARDS

COMPOSITION GRANTS

2022     

BUNDES REGIERUNG FÜR KULTUR UND MEDIEN, Berlin, DE. Invited for 3 months in 2023 at DEUTSCHES STUDIENZENTRUM IN VENEDIG.

2015     

BERLIN SENAT (Lostery 2), Berlin, DE.

2012     

HORS LES MURS PROGRAMME of the FRENCH INSTITUTE (Web studies), Paris, FR.

2007     

BERLINER KÜNSTLERPROGRAMM of the DAAD (Shel(l)ter). Invited for one year in 2007-08 in Berlin, DE.

2006     

AKADEMIE DER KÜNSTE (Fluctuatio (in)animi), Berlin, DE.

INTERPRETATION PRIZES

1983     

1st Prize in Piano in Anne QUEFFÉLEC's class. Nice Conservatory of Music, FR.

PHOTOGRAPHY AWARD

2012    

WORLDWIDE PHOTOGRAPHY GALA AWARD. Honorary Mention  in the category STREET PHOTOGRAPHY (2 photographs from the series Big Apple's people: Two Women in Black and A Fireman and a Policeman), UK.

MUSICAL TRAINING

COMPOSITION

1999-2001      

CNSMDP-Paris Superior Conservatory of Music, FR. Composition courses with Marco STROPPA (free auditor).

1992-99    

Centre ACANTHES, Villeneuve-lès-Avignon, FR. Summer composition courses with Helmut LACHENMANN (1999), Philippe MANOURY, Alessandro SOLBIATI and Michèle REVERDY (1996), Gérard GRISEY, Klaus HUBER and Harrison BIRTWHISTLE (1993), Tristan MURAIL, Philippe MANOURY, Magnus LINDBERG and George BENJAMIN (1992).

ELECTROACOUSTIC AND COMPUTER MUSIC

2001      

IRCAM, Paris, FR. Short course.

1992-94    

MARSEILLE CONSERVATORY OF MUSIC, FR. Electroacoustic music composition courses with Pascal GOBIN.

1992      

IRCAM, Paris, FR. Short course.

INTERPRETATION (piano and chamber music)

1979-94     

MARSEILLE and NICE CONSERVATORIES OF MUSIC, FR. Courses with Anne QUEFFÉLEC, Dominique MERLET, Éric HEIDSIECK, Pierre BARBIZET, Jeannine VIEUXTEMPS and Adrienne PRIVAT.

MUSICAL INTERPRETATION AND PEDAGOGY

1993-95      

CEFEDEM-SUD, Aubagne, FR. Training for the French National Diploma of Piano Teaching.

NORTH INDIAN CLASSICAL MUSIC

1993-94      

DUO SAAJ (Marseille, FR) and Nishikant BARODEKAR (Pune, IN). Courses in North Indian classical music and tabla.

COMPUTER SKILLS

GENERAL SOFTWARE

Microsoft Word; Microsoft PowerPoint;

SPECIALIZED MUSIC SOFTWARE

ProTools; Audiosculpt; GRM Tools;

IMAGE SOFTWARE

Adobe Photoshop; Adobe After Effects.

LANGUAGES

French (native language); English (fluent); Italian (fluent); German (intermediate).