Research

[ transdisciplinaRY Research ]

2019

IEMN, Lille (FR).

Research project MUSIC/NANOPHONONICS.
Collaboration with CNRS researcher in nanoacoustics Arnaud DEVOS (Institut d’Électronique, de Microélectronique et de Nanotechnologie. Département Physique et Nanosciences. CNRS-Lille University, FR).

ÉCOLE LACANIENNE DE PSYCHANALYSE, Paris (FR).

Research MUSIC/PSYCHOANALYSIS.
Group of collective reflection with various psychoanalysts.



DECEMBER 2016

Jenny E. SABIN (designer in experimental architecture), Cornell University (US).  

Project of creation MUSIC/IMAGE.
Collaboration with designer in experimental architecture Jenny E. SABIN on the project Web studies for 4 instruments, electronics and video. World premiere in January 2016. AUDITORIUM MARCEL LANDOWSKI, Paris (FR).  2E2M ensemble (conducted by Pierre ROULLIER).
 

MAY 2016

ROMA TRE UNIVERSITY - Dipartimento Filosofia Comunicazione Spettacolo (IT).

Research MUSIC/PHILOSOPHY (Gilles Deleuze).
Invited to give a presentation at the International Conference about Gilles Deleuze: "Virtuality, Becoming and Life".
Conference paper: "Sound Rhizomes - Virtuality and Actualisations: Music and its Multiplicity of Sound Becomings".
 

APRIL 2016

TRINITY COLLEGE DUBLIN (IE).

Research MUSIC/PHILOSOPHY (Gilles Deleuze).
Invited to give a presentation at the International Conference "Deleuze + Art - Multiplicities | Thresholds | Potentialities".
Conference paper: "From a Formless Ground to a Restless Sound - Virtual/Actual/Musical: Degrees of Power and Diagrams of Matter".



NOVEMBER 2015

ORPHEUS INSTITUUT, Ghent (BE).

Research MUSIC/PHILOSOPHY (Gille Deleuze and Félix Guattari).
Invited to give a presentation at DARE 2015 International Conference: "The Dark Precursor. Deleuze and Artistic Research".
Conference paper: "For a Nanomusic - Sound Desiring Machines and Multiple Time".
 

JANUARY 2015

SUPERFLUX/ENTRETEMPS REVIEWS, IRCAM, Paris (FR).

Research MUSIC/PSYCHOANALYSIS.
Invited to give a presentation at the colloquium Music/Psychoanalysis organised by Superflux (review of psychoanalysis, École Lacanienne de Psychanalyse, Paris, FR) and Entretemps (music journal, Paris, FR): "Correspondances musiciennes, création musicale" ("Musicians' Correspondences, Musical Creation").
Conference paper: "Chocs et entrechocs, analyse et catalyse" (Shocks and Knocks, Analysis and Catalysis").



2014

ILA BÊKA and LOUISE LEMÔINE, Venice (IT).

Collaboration MUSIC/CINEMA.
The piece Holes and bones for 4 instruments (2002) is included in the soundtrack of Barbicania, a movie about THE BARBICAN by architecture moviemakers Ila BÊKA and Louise LEMOÎNE. World premiere screening of the movie: THE BARBICAN, London (UK, 2014).



2010

LSIIT, Strasbourg (FR).

Research project MUSIC/GENETICS.
Collaboration with CNRS researcher in bioinformatics Christian MICHEL (Laboratoire des Sciences de l’Image, de l’Informatique et de la Télédétection. Bioinformatique Théorique, Fouille de Données et Optimisation Stochastique. LSIIT-Strasbourg University).



JUNE-JULY 1999

CERISY INTERNATIONAL CULTURAL CENTRE, Normandy (FR).

Research MUSIC/LITERATURE.
Invited to give a presentation at the international colloquium of literature: "Henri Michaux est-il seul?" ("Henri Michaux is He Alone?").
Conference paper: "Instants-passages" (about the musical work Instants-passages from Henri Michaux's text L’infini turbulent. Piece withdrawn from the catalogue of works).

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