WRITINGS

[ confErence PAPERS ]

JUNE 12-14, 2019

IRCAM, Paris (FR).

International Conference: "Spectralisms 2019".
Conference paper: "For a 'Nanospectral' Approach to Music Composition".



MAY 27-30, 2016

ROMA TRE UNIVERSITY - Dipartimento Filosofia Comunicazione Spettacolo (IT).

International Conference about Gilles Deleuze: "Virtuality, Becoming and Life".
Conference paper: "Sound Rhizomes - Virtuality and Actualisations: Music and its Multiplicity of Sound Becomings".


APRIL 8-10, 2016

TRINITY COLLEGE DUBLIN (IE).

International Conference : "Deleuze + Art - Multiplicities | Thresholds | Potentialities".
Conference paper: "From a Formless Ground to a Restless Sound - Virtual/Actual/Musical: Degrees of Power and Diagrams of Matter".



NOVEMBER 9-11, 2015

ORPHEUS INSTITUUT, Ghent (BE).

DARE 2015 International Conference: "The Dark Precursor, Deleuze and Artistic Research".
Conference paper: "For a Nanomusic - Sound Desiring Machines and Multiple Time".


JANUARY 17, 2015

SUPERFLUX/ENTRETEMPS REVIEWS, IRCAM, Paris (FR).

Colloquium Music/Psychoanalysis: "Correspondances musiciennes, création musicale" (Musicians' Correspondences, Musical Creation"), organised by Entretemps (music journal) and Superflux (review of psychoanalysis).
Conference paper: "Chocs et entrechocs, analyse et catalyse" (Shocks and Knocks, Analysis and Catalysis"). 



JULY 11-13, 2013

PARIS 8-SAINT-DENIS UNIVERSITY - Department of Arts, Philosophy, Aesthetics, Paris (FR).

International Symposium: "Musique et écologies du son" (Music and Ecologies of Sound").
Conference paper: "De la pulsion aux 'pulsons'. Le sonore aux frontières du dedans et du dehors" ("From Pulsion to 'Pulsounds'. Sound between the Inside and the Outside").



JUIN 30-JULY 7, 1999

CERISY INTERNATIONAL CULTURAL CENTRE, Normandy (FR).

International Colloquium of Literature: "Henri Michaux est-il seul?" ("Henri Michaux is He Alone?").
Conference paper: "Instants-passages" (about the musical work Instants-passages from Henri Michaux's text L’infini turbulent. Piece withdrawn from the catalogue of works).

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