WRITINGS
[ Articles ]
JUNE 2024
VORTEX TEMPORUM - CLARA MAÏDA'S ONLINE PODCAST (PT).
Online publication of Clara Maïda's podcast: "Artificial Intelligence and Artistic Vigilance".
The podcast is included in a series proposed by VORTEX TEMPORUM (LIMINA/Nuno Aroso and ARTE NON TEMPO/Diana Ferreira) that invites composers to share thoughts about an extra-musical topic. The topic of this podcast questions AI.
FEBRUARY 2021
LEUVEN UNIVERSITY PRESS, Leuven (BE).
Publication of Clara MAÏDA’s article: "Abstract Cartographies and Assemblages of Minimal Sound Units: A 'Body-Organon'?". Chapter of the book Machinic Assemblages of Desire, Deleuze and Artistic Research 3, Paulo de ASSIS and Paolo GIUDICI (ed.), Leuven University Press, February 2021, Leuven (pages 93-106).
JUNE 2019
HEROINES OF SOUND, Berlin (DE).
Publication of Clara Maïda's article: "Towards a Sound 'Nanorevolution' and 'Artivism'". Chapter of the book Heroines of Sound. Feminismus und Gender in Elektronischer Musik, Sabine SANIO, Bettina WACKERNAGEL (Hg./eds), Hofheim: WOLKE VERLAG, June 2019, Berlin (pages 54-59).
NOVEMBER 2015
SUPERFLUX REVIEW, N.8/9, Paris (FR).
Publication of Clara Maïda's article: "Chocs et entrechocs, analyse et catalyse" ("Shocks and Knocks, Analysis and Catalysis").
ÉDITIONS L’UNEBÉVUE. ÉCOLE LACANIENNE DE PSYCHANALYSE, Paris (pages 90-113).
APRIL 2013
PRÉSENT CONTINU - The Web Magazine of Musical Creation by FUTURS COMPOSÉS, Paris (FR).
French publication of Clara Maïda's article: "Für eine Nanomusik" (French translation: "Pour une nanomusique") in the web review PRÉSENT CONTINU, Paris.
Article first published in 2011 in KLANGZEITORT, Berlin (DE).
MARCH 2011
KLANGZEITORT REVIEW - Neue Zeitschrift für Musik, Das Magazin für neue Töne, Berlin (DE).
German publication of Clara Maïda's article: "Für eine Nanomusik" (English translation:"For a nanomusic"). UNIVERSITÄT DER KÜNSTE, Berlin (pages 60-63).
NOVEMBER 2010
POSITIONEN REVIEW, 85 - Texte zur aktuellen Musik, "Schreibkrise?", Berlin (DE).
German publication of Clara Maïda's article: "Worstsaid Ho, worstheard Ho" (French title: "Cap au dire, cap au ouïr").
Nauck, G. (ed). VERLAG POSITIONEN, Berlin (pages 37-39).
SEPTEMBER 2007
FILIGRANES REVIEW, N.6 - Music-Aesthetics-Sciences-Society, Paris (FR).
Publication of Clara Maïda's article: "...ça écrit ça écrit ça écrit ça..." (English translation: "...it writes id writes it writes id...").
FILIGRANES, N.6: "Musique et inconscient" ("Music and Unconscious"). ÉDITIONS DELATOUR, Paris (pages 145-160).
SEPTEMBER 1999
CAHIERS BLEUS REVIEW, N.13 - Cerisy International Cultural Centre, Normandy (FR).
Publication of Clara Maïda's article "Instants-Passages" (about the musical work Instants-Passages from Henri Michaux's text, L’infini turbulent (piece withdrawn from the catalogue of works).
Acts of the colloquium "Henri Michaux est-il seul?" ("Henri Michaux is He Alone?"). ÉDITIONS LES CAHIERS BLEUS, Troyes (pages 89-93).
