After the 12-drawing series realized before the composition of Mutatis mutandis for 12 amplified strings, I went back to the idea of a whole set of wave-particles. The multitude of interconnected dots and the small triangular densities that they form by regrouping echo the 3-pitch pendulums, recurrent figures in my musical works, and the modularity of my sound writing.

The configuration of dots seems mobile and elastic and its declensions are potentially illimited. The background evokes a Riemannian geometry. The rigidity of the frame is disrupted by mutative forces. The vertical and horizontal lines of the grid are deformed and become curves.

The drawing 2 has been used to illustrate the cover of the review of psychoanalysis SUPERFLUX N°8/9 (École Lacanienne de Psychanalyse, Paris-FR) published in December 2015.

Drawing with a black ballpoint pen; notepad (70g), ruled with margin, American Letter format (21,6x27,9cm); background: photograph of a New York glass skyscraper (photograph: Clara Maïda); work with Photoshop (superimposition of the drawing and the photograph, colorization, deformation and filters).

Clara Maïda, November 2012